That gave us far greater control for subsequent VFX work and grading. “The Pocket 6K made sense for many reasons, including the ability to use high-quality, low-weight stills lenses, but primarily because we could shoot in Blackmagic RAW. “We very quickly settled on the Pocket 6K,” said Falcon Cinematographer PJ Dillon. For the team, there was only one real choice: the Blackmagic Pocket Cinema Camera 6K. This meant matching the digital emulsion of the DXL2, while also being able to track the sudden movements of the fight choreography. When looking for a mobile camera system that could not only be lightweight enough to fly on a Wingsuit that skydivers would wear, the filmmakers behind Falcon and the Winter Soldier also needed a camera that could match the same kind of look and feel of their main cinema camera, the Panavision’s DXL2 8K camera. What does Blackmagic have over the competition? Mainly, its flexibility and ease of use. So much so that secondary cameras like the Blackmagic Pocket Cinema Camera 6K have become the go-to for shooting high-energy action scenes like the opening of Falcon and the Winter Soldier for Disney+, and creating custom LUTs for movies like Netflix's Red Notice.
Blackmagic is more than happy to not only meet that standard with its hardware and software, but also exceed it.
Today we take a look at how Falcon and the Winter Soldier and Red Notice were supported by the BMPCC 6K and DaVinci Resolve and how filmmakers can take advantage.Įveryone knows that Netflix has a standard for streaming content that drives the industry.
#CINEMA GRADE FILMMAKER CRACK TV#
Blackmagic technologies are making their way into more high-end production and TV shows.
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